19th C Oil on Canvas of Romanticized Architectural Capriccio Scene (Spectral Figure and Knight) / Signed S. Doris
19th C Oil on Canvas of Romanticized Architectural Capriccio Scene (Spectral Figure and Knight) / Signed S. Doris
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Theatrical / Religious Oil on Canvas Painting in Ornate Frame (Chipped) of Angel and Knight (Interior Scene)
19th C Continental Oil on Canvas (Likely Italian/French) - mid to late 19th C
Romanticized Architectural Capriccio Scene - likely Italian - inspired by Grand Tour-era neoclassicla ruins and stage-like chiaroscuro effects
Imaginary Temple Interior
Robed, spectral figure extending one arm as if addressing the other
A kneeling or seated soldier or courtier in armor with a feathered hat, a motif often tied to chivalric, literary or operatic subjects
Grotto-like ruin setting with soaring Corinthian columns, light piercing through from a central axis
Done in a romantic hand
Visible craquelure through with visible age and surfact oxidation
Original Louis XVI Revival giltwood frame, with bead ribbon and floral garland motifs (1850-1880)
Original stretcher and nails
Blanace of architectural detailing and dramatic lighting suggest a Romantic Capriccio School work (1840-1860)
Signed in bottom left - S. Doris? --> corresponds with a small circle of Italianate or French 19th century painters active between 1860-1890 who produced capriccios and stage-like architecutral scenes for the Grand Tour market; appear occasionally on period Continental oils that share similar traits
Theatrical / Religious Oil on Canvas Painting in Ornate Frame (Chipped) of Angel and Knight (Interior Scene)
19th C Continental Oil on Canvas (Likely Italian/French) - mid to late 19th C
Romanticized Architectural Capriccio Scene - likely Italian - inspired by Grand Tour-era neoclassicla ruins and stage-like chiaroscuro effects
Imaginary Temple Interior
Robed, spectral figure extending one arm as if addressing the other
A kneeling or seated soldier or courtier in armor with a feathered hat, a motif often tied to chivalric, literary or operatic subjects
Grotto-like ruin setting with soaring Corinthian columns, light piercing through from a central axis
Done in a romantic hand
Visible craquelure through with visible age and surfact oxidation
Original Louis XVI Revival giltwood frame, with bead ribbon and floral garland motifs (1850-1880)
Original stretcher and nails
Blanace of architectural detailing and dramatic lighting suggest a Romantic Capriccio School work (1840-1860)
Signed in bottom left - S. Doris? --> corresponds with a small circle of Italianate or French 19th century painters active between 1860-1890 who produced capriccios and stage-like architecutral scenes for the Grand Tour market; appear occasionally on period Continental oils that share similar traits