19th C Oil on Panel of Auburn Haired Nude Woman (Signed Pugliesi)
19th C Oil on Panel of Auburn Haired Nude Woman (Signed Pugliesi)
Impossible de charger la disponibilité du service de retrait
Partager

Nude Woman Oil on Board (Signed Pugliese)
Oil painting on panel signed C. Pugliesi / Pugliese Levi
Italian painter active in Vercelli, Turn, and Milan Italy (Clemente Pugliese Levi 1855-1936) - ATTRIBUTED TO HIM OR SOMEONE IN HIS CIRCLE / IN THIS STYLE OF
Signature matches known forms of his signature - loose, red/orange pigment, long swooping "P" and descending i/e
Age-consistent oxigation and surface craquelure
Frame is late 19th c Italian Baroque Revival
Biography pasted to back is pulled from an Italian art-dictionary or exhibition catalogue printed between 1925-35; extremely common with Italian collectors and dealers in the 1930s
Clemente Pugliese Levi is not known mainly as a figure painter, but rather a landscape artist but he did occasionally produce symbolist female students, interior, and nudes
My piece fits within his 1885-1895 gray tonalist period
Subject is a nude woman emerging from draped fabric in dim, atmospheric interior; circular "halo" behind her; soft, smoky tonal modeling; red hair (popular with Sumbolist ITalian painters in the 1880-1900 era)
Likely a Symbolist allegory of Awakening, Dawn, or Vanity
Unfinished circular form at right was probably meant as a mirror, light source, or early underpainting left intentionally atmospheric
Pugliese often painted on unvarnished panels (very matte); this was to preserve the soft, dusty, atmospheric effect of Symbolism
Nude Woman Oil on Board (Signed Pugliese)
Oil painting on panel signed C. Pugliesi / Pugliese Levi
Italian painter active in Vercelli, Turn, and Milan Italy (Clemente Pugliese Levi 1855-1936) - ATTRIBUTED TO HIM OR SOMEONE IN HIS CIRCLE / IN THIS STYLE OF
Signature matches known forms of his signature - loose, red/orange pigment, long swooping "P" and descending i/e
Age-consistent oxigation and surface craquelure
Frame is late 19th c Italian Baroque Revival
Biography pasted to back is pulled from an Italian art-dictionary or exhibition catalogue printed between 1925-35; extremely common with Italian collectors and dealers in the 1930s
Clemente Pugliese Levi is not known mainly as a figure painter, but rather a landscape artist but he did occasionally produce symbolist female students, interior, and nudes
My piece fits within his 1885-1895 gray tonalist period
Subject is a nude woman emerging from draped fabric in dim, atmospheric interior; circular "halo" behind her; soft, smoky tonal modeling; red hair (popular with Sumbolist ITalian painters in the 1880-1900 era)
Likely a Symbolist allegory of Awakening, Dawn, or Vanity
Unfinished circular form at right was probably meant as a mirror, light source, or early underpainting left intentionally atmospheric
Pugliese often painted on unvarnished panels (very matte); this was to preserve the soft, dusty, atmospheric effect of Symbolism